daguerreotype$18754$ - definitie. Wat is daguerreotype$18754$
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Wat (wie) is daguerreotype$18754$ - definitie

FIRST COMMERCIALLY SUCCESSFUL PHOTOGRAPHIC PROCESS, INVENTED BY L. DAGUERRE IN 1839: A SILVER-PLATED COPPER SHEET IS TREATED TO MAKE LIGHT-SENSITIVE, EXPOSED IN A CAMERA, DEVELOPED WITH MERCURY VAPOR, TREATED TO REMOVE LIGHT-SENSITIVITY, GILT, SEALED
Daguerrotype; Daguerrotypes; Daguerreotypes; Daugerreotype; Daugerrotype; Daguerotype; Dagerotype; Dagguerotype; Dauguerotype; Deguerrotype; Daguerréotype; Electroplated daguerreotype; Daguerreotypist; Daguerreotypy; Daguerrotypist
  • The first authenticated image of [[Abraham Lincoln]], a daguerreotype of him as U.S. [[Congressman]]-elect in 1846, attributed to Nicholas H. Shepard
  • Advertisement for a traveling daguerreotype photographer, with location left blank
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  • Camera obscura, from a manuscript of military designs. 17th century, possibly Italian
  • camerae obscurae]] and plates for daguerreotype called "Grand Photographe" produced by [[Charles Chevalier]] ([[Musée des Arts et Métiers]])
  • Title pages of Daguerre's 1839 manual, published soon after Arago's lecture to meet the intense public demand for more information about the process.
  • date=2015-04-02 }} (item 1) gives it the title ''Intérieur d'un cabinet de curiosité'' (Interior of a cabinet of curiosities), describes it as a whole-plate daguerreotype in a contemporary frame, states that it was acquired in 1897, came from the collection of de Cailleux (presumably, the late [[Alphonse de Cailleux]], deputy director and then general director of the Louvre from 1836 to 1848), is annotated "Daguerre 1837" below, and on the back, in Daguerre's handwriting, bears the dedication "Epreuve ayant servi à constater la découverte du Daguerréotype, offerte à Monsieur de Cailleux par son [très] dévoué serviteur" [signed "Daguerre"] (Proof having served to verify the discovery of Daguerreotype, offered to Monsieur de Cailleux by his very devoted servant Daguerre). There is apparently no other documentary basis which might support statements found in many sources that it is the "first" or "first successful" or "first completely processed" daguerreotype, or that it was presented to de Cailleux at the Louvre in 1837 rather than at an unknown location and date after the 1839 unveiling of the process. According to the [https://books.google.com/books?id=_iBFAAAAYAAJ&pg=PA173 1884 catalogue of one French museum], a framed set of three plates presented by Daguerre to [[François Arago]] bore an identically worded dedication. They were among the plates put on display to a French government body in July 1839 when it was deciding on the award of a pension to Daguerre in exchange for the still-secret details of his process.}}
  • Daguerreotype mounted on a box, in the [[National Archives of Estonia]]
  • Unidentified photographer, The Doty Family (c. 1834–1835) by Robert Peckham, quarter-plate daguerreotype, early 1850s
  • Graphic representation of the steps involved in making a daguerreotype
  • Device to hold heads still during the long exposure time required to make a daguerreotype portrait
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  • ‘View of the Predikherenlei and Predikherenbrug’ depicts the first photographic record of [[Ghent]] and in all probability [[Belgium]]. It dates back to October 1839, when optician François Braga arrived in [[Ghent]] with the daguerreotype camera. Together with his friend, seller of prints and engravings Joseph Pelizzaro, he took the picture on the second floor of judge Philippe Van de Velde’s residence on the Ajuinlei. Of the four original plates they made, two plates are in the holdings of STAM – [[Ghent City Museum]], while the two others are lost.
  • Daguerreotype of [[Louis Daguerre]] in 1844 by Jean-Baptiste Sabatier-Blot
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  • Portrait of a Daguerreotypist Displaying Daguerreotypes and Cases pictured in an airtight frame.
  • Six daguerreotypes show a panorama of [[San Francisco, California]], in 1853.
  • Daguerreotype camera built by La Maison [[Susse Frères]] in 1839, with a lens by Charles Chevalier
  • A daguerreotype photograph of the Nobel House in [[Turku]] from 1842

Daguerreotypy         
·noun The art or process of producing pictures by method of Daguerre.
daguerreotype         
[d?'g?r?t??p]
(also daguerrotype)
¦ noun a photograph taken by an early photographic process employing an iodine-sensitized silvered plate and mercury vapour.
Origin
C19: from Fr. daguerreotype, named after L.-J.-M. Daguerre, its French inventor.
Daguerreotype         
·noun The process of taking such pictures.
II. Daguerreotype ·vt To produce or represent by the daguerreotype process, as a picture.
III. Daguerreotype ·vt To impress with great distinctness; to Imprint; to imitate exactly.
IV. Daguerreotype ·noun An early variety of photograph, produced on a silver plate, or copper plate covered with silver, and rendered sensitive by the action of iodine, or iodine and bromine, on which, after exposure in the camera, the latent image is developed by the vapor of mercury.

Wikipedia

Daguerreotype

Daguerreotype ( (listen); French: daguerréotype) was the first publicly available photographic process; it was widely used during the 1840s and 1850s. "Daguerreotype" also refers to an image created through this process.

Invented by Louis Daguerre and introduced worldwide in 1839, the daguerreotype was almost completely superseded by 1860 with new, less expensive processes, such as ambrotype (collodion process), that yield more readily viewable images. There has been a revival of the daguerreotype since the late 20th century by a small number of photographers interested in making artistic use of early photographic processes.

To make the image, a daguerreotypist polished a sheet of silver-plated copper to a mirror finish; treated it with fumes that made its surface light-sensitive; exposed it in a camera for as long as was judged to be necessary, which could be as little as a few seconds for brightly sunlit subjects or much longer with less intense lighting; made the resulting latent image on it visible by fuming it with mercury vapor; removed its sensitivity to light by liquid chemical treatment; rinsed and dried it; and then sealed the easily marred result behind glass in a protective enclosure.

The image is on a mirror-like silver surface and will appear either positive or negative, depending on the angle at which it is viewed, how it is lit and whether a light or dark background is being reflected in the metal. The darkest areas of the image are simply bare silver; lighter areas have a microscopically fine light-scattering texture. The surface is very delicate, and even the lightest wiping can permanently scuff it. Some tarnish around the edges is normal.

Several types of antique photographs, most often ambrotypes and tintypes, but sometimes even old prints on paper, are commonly misidentified as daguerreotypes, especially if they are in the small, ornamented cases in which daguerreotypes made in the US and the UK were usually housed. The name "daguerreotype" correctly refers only to one very specific image type and medium, the product of a process that was in wide use only from the early 1840s to the late 1850s.